DBX 266XL Compressor/Gate
Most compressor/gates provide less than musical compression, coupled with gating that swallows transients—or closes early, cutting off decay and reverb tails. The superb engineering in the 266XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts.
When using the 266XL’s AutoDynamic™ Attack and Release controls, artists and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicings that extend from slow “leveling” to aggressive “peak” limiting.
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DBX 215 Dual Chanel 15-Band Equalizer
The dbx® 2-Series Graphic Equalizers have been designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straight forward controls. The 215 not only provides standard features like dual channels, 15 2/3 octave bands, ISO frequency meters, +/- 12dB input gain range, and switchable 50Hz/12dB octave low-cut filters, but also includes other thoughtful features. These features include: 20 mm faders; selectable +/-6dB or +/-12dB boost/cut range for precise gain adjustments; XLR, and 1/4" TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. The visionary design of the dbx® 2-Series has been pursued to make your job easier.
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| DBX 231 Dual 31 Band Graphic EQ
The dbx 231 dual 31-band graphic equalizer piles on high-performance features despite its amazingly low price! Giving you two 31-band channels of 1/3-octave EQ, the 231 brings the kind of top-notch performance you'd expect from a dbx product to everyone. The 231 also features +/-6dB or 12dB boost/cut ranges; smooth, easy-to-use faders; a front-panel bypass switch, XLR and TRS inputs and outputs, an ultra-quiet toroidal transformer, and a 12dB-per-octave 40Hz low-cut filter. Equally suited to home/project studios, pro facilities, installations, and live rigs, the 231 is definitely a price/performance winner! |
| DBX 166XL Dual Compressor Limiter Gate
The superb engineering in the 166XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts. |
DriveRack® PA+
Complete Loudspeaker Management System
The best just got even better! The DriveRack PA, far and away the world's most popular loud speaker management system has now become the DriveRack PA+; the best has indeed gotten better. Showcasing all the features that users around the world have come to expect, including easy setup, rock-solid reliability and unparalleled sound quality, the new version has gone to great lengths to earn its "plus." With more settings, more control and enhanced circuitry, the sound you seek is right at your fingertips.
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Omnidrive Compact - 3 In X 6 Output Loudspeaker Management Processor
The one loudspeaker management system that really satisfies all your system requirements just got even better!. New V2.06 firmware introduces the first pro audio implementation of WHISEWORKS - NTM"* filter technology, which means that you can take your loudspeakers closer to their operating bandwidths without fear of over-excursion.
One FDS-366 can drive a true stereo 3-way system, or 3 bi-amp outputs for monitors. Add more units and MIDI slave linking to make stereo 4, 5 and even 6-way systems.
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SR834
Active Crossover
The SR834 has 24dB per octave state variable filters, as well as a 40Hz high pass filter. It's simple interface allows for 3 way stereo, or 4 way mono operation with the press of a switch. The phase of each output can be selected by a switch located at each of the XLR balanced outputs. |
Rane GE 30 Graphic Equalizer
The Rane GE 30 Interpolating Constant-Q Graphic Equalizer is a single-channel, 1/3 octave equalizer. Housed in a two rack-space unit, the GE 30 features long throw, (60 mm) high resolution slide controls on each filter band ensuring good resolution over their entire range. The operating mode can be Boost/Cut, or by pressing a button on the rear panel, convert to be Cut-only. Another pushbutton on the rear panel allows the operator to select active balanced or transformer balanced output. |
Rolls RA62c six-channel headphone amplifier
The Rolls RA62c is a six-channel headphone/earphone amplifier for professional audio monitoring. A variety of input options are available including 1/4", RCA, and balanced XLR. Since the MONO/STEREO switch is after the pan control, it will mix 2 MONO signals and their balance can be adjusted with the Pan control. With the addition of rear panel Direct Input connectors, each channel may mix a second stereo signal. |
Behringer
FEEDBACK DESTROYER PRO DSP1124P
The DSP1124P locates feedback frequencies immediately and sets extremely narrow notch filters to “destroy” them, leaving the remainder of the signal virtually untouched. With its various modes you can master just about any live sound situation or use it as a creative sound-shaping tool with 24 bands of fully parametric equalization. Now with 24-bit A/D and D/A converters. |
TC Electronic M300 Digital Effects Processor
M350 is an extremely user-friendly dual engine rack processor which is equally suited for live and studio applications. It combines 15 brand-new TC-quality reverbs with 15 multi-purpose effects including delay, modulation and compression. Studio engineers and recording musicians will benefit from the included AU/VST compatible software editor, which allows for seamless control and editing integration with DAW systems |
Audio Equipment
Video Equipment
Staging
Lighting
Conferencing
